macrae11 wrote:Three mics?
Kick and MS overhead
macrae11 wrote:You guys ever read a post, but not really read a post? Like miss a whole sentence, post and then realize that the response didn't really have anything to do with the original.
weatherstation audio wrote:macrae11 wrote:You guys ever read a post, but not really read a post? Like miss a whole sentence, post and then realize that the response didn't really have anything to do with the original.
Hey, I do this in real life conversation all time !
sammyp wrote:A band i was in back in the early 90s released a cassette using one of those machines - it does not sound good..... although i wouldn't neccessarilly blame the machine. Still, i don't have a flare for that kind of vintage thang, i'll stick with the modern DAW.
What would be kinda fun with one of those rigs, would be to see what kind of warmth you could achieve mastering digital to the tape. You have to find some decent outboard comp/eq gear. but tracking/mixing on one....ican't imagine it.
weatherstation audio wrote:sammyp wrote:A band i was in back in the early 90s released a cassette using one of those machines - it does not sound good..... although i wouldn't neccessarilly blame the machine. Still, i don't have a flare for that kind of vintage thang, i'll stick with the modern DAW.
What would be kinda fun with one of those rigs, would be to see what kind of warmth you could achieve mastering digital to the tape. You have to find some decent outboard comp/eq gear. but tracking/mixing on one....ican't imagine it.
After putting up some of the tape supplied from the machine's previous owner, and running a few tests of playback and recording etc... they must've have used some decent mics and preamps etc... the analog vibe is very much alive in this machine, drums, guitars, bass etc... sound fantastic... and plenty of headroom to slam signal to the tape... I don't think we'll be needing any nosie reduction... as long as I calibrate the machine properly to the 456 graded tape, it looks very promising... some good mics positioned well with decent front end mic pres, and we'll be off to the races.
currently we have an 8 channel Tascam MA-8 preamp unit (with upgraded Burr Brown op-amps) at the spot to track with, and I'm workin' on re-cappin' an older Peavey console to monitor playback with.
Once we fill all all 8 tracks on a given project, we'll dump over to a DAW for extra tracks etc...
sammyp wrote:Oh yeah, i meant to ask, would Mr. Fudge be aka Chris?
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