Malcolm Boyce wrote:One of the neat things about this thread right now are the responses to specific "numbers". I was just grabbing at tunes in a random way, and now it's making me wanna go back and check out some of the songs that Clinton is talking about.
Cool.
How are you getting the mic into the SoundBlaster card?Christian LeBlanc wrote:I have a computer with 256 MB RAM, 1.4 GHz processor, running Cubase VST/32 5.0. I also have a SoundBlaster Audigy Platinum soundcard/interface, with inputs for 1/4", as well as rca cables in stereo.
My microphone's a "Realistic Cardioid Dynamic Microphone," 33-1071.
Ahhhhh.... Things are becoming even clearer.Christian LeBlanc wrote:It's got a 1/4" plug
Christian LeBlanc wrote:It goes on to talk about how balanced lines reduce hum and noise. Hunh! So that's why there's all this 'mud' with my vocal tracks, then; unbalanced signal.
Christian LeBlanc wrote:Now, as a cheapskate, let me ask this (Malcolm, let me know if this warrants being asked in a separate thread) - what about cables like the LightSnake, or Alesis MicLink, where an XLR mike plugs into one end, and the other end is a usb plug that goes into the computer? Anyone here have experience with these? They go for about $40 US, methinks, from what I've looked up.
Christian LeBlanc wrote:
It goes on to talk about how balanced lines reduce hum and noise. Hunh! So that's why there's all this 'mud' with my vocal tracks, then; unbalanced signal.
Now, as a cheapskate, let me ask this (Malcolm, let me know if this warrants being asked in a separate thread) - what about cables like the LightSnake, or Alesis MicLink, where an XLR mike plugs into one end, and the other end is a usb plug that goes into the computer? Anyone here have experience with these? They go for about $40 US, methinks, from what I've looked up.
macrae11 wrote:It's not simply a matter of balanced vs unbalanced, although that is certainly part of the equation. Without hearing the mic in question, I would have to think it would be a marginal upgrade at best. Going with something like Malcolm suggested, the Fast Track, and any decent quality mic would be a much better starting point. Even a SM58 would be an adequate quality mic. Hey if it's good enough for Bono right? I realize that this would cost a bit more, but I think you would be better off spending $300ish dollars and getting something of value that you could sell if need be, and would be easy to upgrade, than wasting $40-$50 that isn't really going to get you anywhere.
I realize that this would cost a bit more, but I think you would be better off spending $300ish dollars and getting something of value that you could sell if need be, and would be easy to upgrade, than wasting $40-$50 that isn't really going to get you anywhere.
Drumwaiter wrote:+1
(except for that bit about Bono. Andrew isn't allowed to make this about U2)
macrae11 wrote: When are you fleeing the country again, so I don't have to deal with your incessant whining?
Drumwaiter wrote:macrae11 wrote: When are you fleeing the country again, so I don't have to deal with your incessant whining?
They have the internet over there too ya know... I'm going to Asia, not the year 1986.
Christian LeBlanc wrote:I think garageband automatically defaults to U2 for 'sounds like' if you don't put anything in. One time someone told me they could definitely hear the U2 influence, and I had no idea what they were talking about :)
Hmmm I wonder what that says about U2?
Christian LeBlanc wrote:
Budget: I could swing around $300, it's just a matter of whether the hobby is worth it to me at this point, especially as there's only 6 more songs left in my project. I'm guessing I'll be a miser and wait until my next tax refund, when I can justify it better ("It's like, free money! So I'm not really spending anything!"). I'm not rich, but I'm not hurting, either. Plus, by then, I'll have put some more research into it.
I do plan on recording 'good copies' of lots of material that I've written since 1998 or so, with the knowledge I've gleaned from this year. So I will need a proper mic setup to do the vocals the best justice I can manage. So I will be getting around to it, it's not just an idle 'yeah, whatever.' :)
Christian LeBlanc wrote:Oh yeah! Almost forgot to ask: I went home at lunch and remembered that I have a keyboard amp that has an XLR mic input on it. Is there any point at all to singing into that with a balanced mic, and running a 1/4" line out from the amp into my soundcard? Or will it only sound 'proper' (balanced, hum and noise minimized) coming straight out of the amp - that is, the 1/4" extension just packs all that 'mud' right back on? (which I'm guessing is the case, since, really, the signal would no longer be balanced...just thinking out loud!)
Christian LeBlanc wrote:
Oh yeah! Almost forgot to ask: I went home at lunch and remembered that I have a keyboard amp that has an XLR mic input on it. Is there any point at all to singing into that with a balanced mic, and running a 1/4" line out from the amp into my soundcard? Or will it only sound 'proper' (balanced, hum and noise minimized) coming straight out of the amp - that is, the 1/4" extension just packs all that 'mud' right back on? (which I'm guessing is the case, since, really, the signal would no longer be balanced...just thinking out loud!)
Christian LeBlanc wrote:My question (which I tried looking up online first before bugging y'all) - will any 1/4" input (such as the one on my soundcard) properly accept a balanced TRS signal, giving you the benefits of reduced noise & hum? If so, I'm thinking that this device, coupled with a new mic, could work well for my purposes (especially considering its secondary use as a DI).
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