dylanger wrote:Like this maybe.....
http://www.johnlsayers.com/phpBB2/viewtopic.php?t=5928
clinton wrote:I agree with Andrew 100%. Record the room and use it as an instrument. If it's a small room, get a good drum sound for that room and use it as such. I record in a spare bedroom at my house and for the most parts, my recordings sound great. Chris Fudge gets wicked drum sounds out of a small loft above his garage. I have friends that record drumsets with one microphone and they sound terrific.
BIG drums sounds are so 80's anyway.
clinton wrote:BIG drums sounds are so 80's anyway.
+100macrae11 wrote:clinton wrote:BIG drums sounds are so 80's anyway.
Everything except this. Faux BIG unnatural lexicon reverb drum sounds are 80's. Big drum sounds are forever.
Maybe I'm not following your meaning, but what problem is the brick causing?dylanger wrote:... Most buildings uptown have brick walls which is the first problem...
dylanger wrote:Well I haven't seen too many studios with bricks being used as a material in the live room. By the way you replied, I take I'm wrong. It just seems like brick wouldn't be a great material for a live room, I've jammed in a lot of garages with cement floors and that doesn't seem to ever sound that good.
The size and shape of the room have as much to do with it as the construction materials used.dylanger wrote:Well I haven't seen too many studios with bricks being used as a material in the live room. By the way you replied, I take I'm wrong. It just seems like brick wouldn't be a great material for a live room, I've jammed in a lot of garages with cement floors and that doesn't seem to ever sound that good.
So simple it just might work.Mathieu Benoit wrote:Put a drum kit in it and hear it for yourself. If it sucks then figure out if it's worth your time to make it not suck. If not...move on.
Users browsing this forum: Bing [Bot] and 18 guests