by ALaudio » Thu Oct 11, 2007 9:59 pm
I remember one project that I helped out on at Fluid where Melodyne was pushed to the very edge of it's capabilities. Every note had to be checked, and manually corrected, as the pitch on the performance was so bad. The whole project really taught me how important it is to maintain your professionalism and composure during a session regardless of the quality of the "artist". I remember thinking smoke was going to start pouring out of the back of the PC from the unholy amount of pitch correction we were using.