Posted: Fri Nov 23, 2007 3:37 pm
I'm sure Cubase must then have a function... probably in the control room section. I will investigate.
Noise Talk, Saint John, New Brunswick & Area
http://forums.middleaudio.com/
Malcolm Boyce wrote: The common mistake I hear is that the reason why the "bottom" or resonant head mic needs to be flipped is because it is pointed in the opposite direction of the "top" or batter head mic.
I have heard this, and read this time and again.Alain Benoit wrote:Really? There are people out there who think that?
Without seeing the setup it's difficult to say for sure but yes, raising the microphones could avoid what you're hearing as Doppler. I typically mic higher up over the kit, especially in good, larger rooms.Drumwaiter wrote:Just a regular X/Y position. Would raising the height of the mics make any difference? Is this something that just can't be avoided in tracking or...?
Malcolm Boyce wrote:Sorry for the "bump", but I had to do it again...
http://www.gearslutz.com/board/5765343-post25.html
sean.boyer wrote:Flip the phase 180, and you get NO signal. That gets a stare. Then, take one of the tracks and move it ahead or behind an ms or so in time and listen to where the filtering happens.
How 'bout actually double tracking something, and flipping one. That can be really fun too.macrae11 wrote:sean.boyer wrote:Flip the phase 180, and you get NO signal. That gets a stare. Then, take one of the tracks and move it ahead or behind an ms or so in time and listen to where the filtering happens.
Another fun trick you can do with this is to add a narrow EQ boost to one of the tracks. Creates an effect somewhere in the wah family. Great for just a filtered effect or automate the boost frequency to make it funky.
Malcolm Boyce wrote:How 'bout actually double tracking something, and flipping one. That can be really fun too.macrae11 wrote:sean.boyer wrote:Flip the phase 180, and you get NO signal. That gets a stare. Then, take one of the tracks and move it ahead or behind an ms or so in time and listen to where the filtering happens.
Another fun trick you can do with this is to add a narrow EQ boost to one of the tracks. Creates an effect somewhere in the wah family. Great for just a filtered effect or automate the boost frequency to make it funky.