That "U2" sound is a
lot more than just delay...
Are you confident in your understanding of all the associated parameters of delays?
One thing that affects how delays react is where they sit in the order of relationship to other FX. Pre or post reverbs or ambiance? Pre or post anything pitch based such as chorus, flange, or phase. This can radically affect how the delays react in the context.
Another thing is the use of band pass filters on delays. It is very common to use high and/or low pass filters on delays, which changes the balance relationship between the "dry" signal and the delay. You can usually get away with a higher effect level with a band limited delay signal, which of course can be a desirable thing when going for radical processing.
Other than something specific with the Pod, all I suggest is knowing what parameters are available to you, what they do, and twiddle until something works for you.
One last thing about delay. A lot of effects like a "flange" or "phase" are actually just based on a short delay time. Try messing around with a reasonably dry signal, and adding in a delay of about 100ms with no feedback. Then try lowering the time until you approach 0ms, and you'll start hearing wonderful things. The feedback level can then add other interesting stuff once you get some frequency dependent interaction happening.