Malcolm Boyce wrote:but since you put stuff up for consumption, take the time and start making cleaner tops and tails of your mixes.
I always hope it's something like that Christian, but many times it's someone mixing through a "mastering processor" that at first can fool you into believing that it's a good thing, but all it's doing is helping mask the fact that you're crushing your mixes with too much level over all. Too many newbies don't realize how little processing of the two buss is actually going on with many mixes that they love.Christian LeBlanc wrote:... I did want to jump in and comment about limiting - a lot of my early mixes sounded like I was a proud soldier in the loudness wars, when really, I just hadn't figured out yet where the master volume fader was in my software. I have no idea if that's what's going on here or not, but I wanted to throw it out there just in case...
I've used an Izotope "mastering limiter" with great results many times. It really is all about what you're feeding it as to what you get out.Scott DeVarenne wrote:* I'm not rippin on your software. I'm sure it can yield great results. For years I recorded and mixed in Vegas. Hell... I've never even been to Vegas- neither the city nor the constellation nor a large plain or valley, typically a fertile and grassy one.
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